The Bhutanese Leading the way.
During the National Assembly’s Question Hour Session on 5th December 2025, the Social and Culture Committee (SCC) sought clarification on who is responsible for monitoring the cultural appropriateness of songs, attire, and decorum during major national ceremonies.
SCC noted that while Bhutan is deeply rooted in culture, tradition and tendrel, these values are sometimes not adequately reflected during official events.
Citing the recent opening ceremony of the Global Peace Prayer Festival (GPPF), the committee pointed out that despite Bhutan’s rich repository of traditional and religious songs, the program featured mostly modern rigsar performances, including “Ama La Jomie Chumo,” a song considered melancholic.
SCC emphasized that Bhutanese culture prescribes specific songs and dances for distinct occasions, auspicious songs for inaugurations, joyous songs for celebrations, and solemn pieces for moments of mourning.
With the event attended by lamas, trulkus, and spiritual leaders from multiple countries, the committee said it was crucial for Bhutan to present an authentic cultural identity.
SCC further raised concerns about the attire and physical decorum of performers, stating that dancers and singers should embody Bhutanese cultural values, especially during national ceremonies.
The committee requested clarity from the Ministry of Home Affairs on who holds the responsibility for monitoring these elements, what accountability mechanisms exist, and how these responsibilities will be exercised in future events.
Responding to the query, Home Minister acknowledged the concerns regarding song selection and presentation. Lyonpo Tshering said that safeguarding traditional and cultural values is a responsibility shared by all citizens, as well as by event organizers and performers, who must ensure their contributions align with the occasion.
Lyonpo highlighted that the Global Peace Prayer Festival was successfully held under the visionary leadership of His Majesty The King, bringing together spiritual masters and disciples to pray for global harmony and wellbeing.
He clarified that the entertainment performances between prayer sessions were designed specifically for the international guests, which is why a wide variety of Rigsar and Choeyang songs were showcased by Bhutanese and foreign performers.
Lyonpo explained that while songs like “Ama La Jomie Chumo” were included to symbolize the Buddhist concept of impermanence, he understood that its melancholic tone may not have resonated well with many viewers. He also acknowledged feedback on the attire and conduct of some performers, noting that improvements were necessary.
He assured the House that the Ministry of Home Affairs would be more mindful in reviewing the content of performances at future national and international events.
Lyonpo added that the ministry would work diligently to strengthen monitoring and guidance mechanisms to ensure that performers appropriately uphold cultural values during significant national programs.
